precision tuner features an oversized display with adjustable frequency calibration, built-in condensor microphone and a 1/" input jack for tuning acoustic or electric instruments. The essential, all-in-one practice tool for the beginning to advanced musician!  (less)

pull-out easel for desktop use. - Intuitive patent pending 12-segment rotary LED display - Sweep and Strobe Mode Tuning - Full-featured Metronome - Full-range pitch pipe function - Sensitive condenser mic - 1/8 headphone jack - DC power input jack for optional AC adapter - Seperate mute and volume controls  (less)

to batteries and electronics being attached to a side-mounted pre-amp assembly. Installs onto existing D-TAR WaveLength pickup system (not included).  (less)

rich, lush, vintage fuzz tones used at the big 60s pop festivals. But with the addition of the Tweak switch, you can create a myriad of totally unique fuzz tones making this one of the most versatile pedals for electric guitar and bass.Seymour Duncan Tweak Fuzz FeaturesTweak Control: Engages one of six pre-set EQ resonances that give an overall flavor to the Tweak Fuzz, rolling off the bottom end and influencing the behavior of the Gain control. Each of the six frequencies was chosen and voiced to enhance rich harmonics and bring out the most flattering qualities of your guitar or bass.Gain Control: Controls the amount of square wave clipping distortion. It can go from mildly distorted to all-out fuzz fury.Volume Control: Sets the overall volume to the optimum level. Whet...  (less)

up, backlit LCD with timeout feature, frequency and power lockout, 3-segment battery fuel gauge, 2 AA batteries that provide 8-hours continuous use, and 518-782mHz operation range. The SLX4 diversity receiver is unprecedented in its ease of use and sports a broad array of pro features including automatic frequency selection, automatic transmitter set up, 960 selectable frequencies across a 24mHz bandwidth, detachable 1/4 wave antennas, microprocessor-controlled diversity, RF presence LED, 5-segment audio meter, multi-function backlit LCD, low battery indicator, frequency and power lockout, rugged metal chassis, volume control on rear of unit, 1/2 rack design, furnshed rack hardware, non-slip bumpers for use out of...  (less)

photo-resistor – an LED lights up and the photo-resistor changes the output volume on the Pulse in relationship to the light intensity. An LFO (low frequency oscillator) pulses the LED at a given rate and a given wave form. The light travels to the photo-resistor causing it to change resistance value, which in turn changes the gain output of the internal amplifier (op amp). If all this sounds very technical, what you really need to know is that the result is a smooth non-symmetrical tremolowhich closely approximates classic tube tremolo properties. A Speed control varies the rate of the tremolo, while an Intensity control determines the amount of the effect. A switch is provided that lets you choose triangle or square LFO puls...  (less)

from your phone (Where service is available). The headset features a built in microphone and volume control. The audio will mute automatically for incoming calls...  (less)

cell phone hands-free, add speak function to MP3 stereo hands-free, with switch button, mute, volume control function. When receive a call, the handsfree is Mono-channel only.  (less)

which is 180° out of phase with the incoming signal. The result is "zero earth" at the point of the eardrum and dramatic reduction of most low frequency distractions, resulting in deep rich lows and sparkling highs, noise canceling ability so good you'll need less volume for greater efficiency and less distortion from overdriving the tiny amplifier in your portable electronics. QZ900 operates with or without active noise canceling circuit engaged. Features a removable cord and an on line volume control and 1 standard AAA battery which provides approximately 50 hours of active noise cancellation.  (less)

TruSurround XT virtualization technology, SoundBar provides multi-channel surround sound through multiple strategically placed speakers within a single housed unit. The technology is based on HRTF, head related transfer function, from the research of human perception of sound direction. SoundBar does not solely depend on the surrounding walls and objects to bounce the sound wave. It uses a patented combination of digital signal processing from the front and rear channels plus acoustical geometry that complements the spacing between the ears to produce surround sound without rear mounted speakers. Designed to be a front mounted unit under/over a flat panel TV, the SoundBar is a great solution for home entertainment systems through its delivery of rich, immersive audio without the obtrusive, cable laden clutter of multi-speaker traditional surround sound systems. The SoundBar audio line come in a variety of different sizes and configurations, all stylishly encased in luxurious lacquer finishing cases to complement the latest flat screen televisions. With a built in amplifier and DTS/Dolby AC3 dual decoder, set up is a breeze. Simply plug in one optical cable to the speaker and DVD player, then the unit is ready to go without additional cables. Users can manually adjust the volume of directional speakers through a remote control for maximum flexibility and custom applications. Preprogrammed surround effects includes: stadium, pop, hall, movie, music and stereo. The SoundBar is equipped with two digital optical inputs for better sound quality and one digital coaxial input. One analog 2.0 channel CD-AUX input for connectivity to DVD Players and televisions. Features: 5.1 Soundbar Projector Licensed by SRS Integrates 19 speakers in one soundbar Delivers 5.1 CH surround sound from any one sound bar New surround technology by SRS LCD Digital display Impedance: 8O + 4O Frequency Response: 20HZ--20KHZ S/N Ratio: >/75dB Separation: dB45 Distortion: 0.1%@1W GW Weight: 39lbs Accessories: 1 CD-AUX, 1 Coaxial cable, 1 Optical cable, 1 remote control & user manual Dimensions: 43""L x 9""H x 6""W Speakers: Built in amplifier with output power: 115W RMS Sub 40W + Satellite 15W*5 19 Speakers Speaker Drivers: Subwoofer: 5.25""x2 Center: 3""x2 + 1.5""x1 Front R/L: 3""x4 + 1.5""x2 Surround Drivers R/L: 2""x8 Connectors: Two optical inputs One coaxial One CD-AUX input Power: 110V or 220V by Power Switch, 50Hz/60Hz AC"  (less)

virtual tuning and muffling for the kick, snare, and toms. Natural ambience effects can be adjusted as well. Wave-expanded sound module with 125 instruments and 25 kits Tuning and Muffling for the kick, snare, toms can be adjusted via the buttons and dial on the front panel Coach Mode with new exercises such as Warm Ups and Tempo Check for building your accuracy and endurance Quick Rec function for recording your performance with just one button Mix In connector for playing along with external audio sources Roland TD-4 Details: Custom Controls Drum sounds onboard the TD-4 can be customized to suit your personal style. Just like with a real acoustic drum set, the TD-4's kick, snare, and toms can be tuned up or down quickly across a wide range. The amount of muffling can be user-customized as well, from '70s-style choked funk to open-cannon stadium rock. Coach Mode The TD-4 is equipped with Roland's acclaimed Coach Mode, which helps you build speed, stamina and accuracy. Five skill-building exercises are onboard, including the new Warm Ups that lets you practice different exercises consecutively for 5, 10, or 15 minutes. The new Tempo Check also helps you keep consistent time by lowering the metronome volume when you are playing accurately or vice versa, and raising the click volume when you are playing out of time. Quick REC The TD-4's ""Quick REC"" feature allows you to immediately record and play back your performance. It's a great tool for listening objectively to what you've played, and charting your progress. And don't forget the TD-4's built-in metronome for keeping yourself in time. If you record with the internal metronome on, the TD-4 can even evaluate your accuracy afterward during playback. Roland TD-4 Specifications: Instruments Drum Instruments: 125 Drum Kits 25 Instrument Parameters KICK, SNARE, TOM, PERC: Tuning, Muffling Mixer Parameters Pad Volume, Pan, Kit Volume, Cross Stick Volume Ambience Types 9 Rhythm Coach Functions Warm Ups, Time Check, Tempo Check, Quiet Count, Auto Up/Down Quick Rec Resolution: 96 ticks per quarter note Recording Method: Real-time Maximum Note Storage: approx. 9,000 Notes Display Custom (backlit LCD) Connectors Trigger Input connector (DB-25 type), (Kick, Snare, Tom1, Tom2, Tom3, Hi-Hat, Crash1, Crash2, Ride, Hi-Hat Control), Output Jacks (L (MONO), R) (Stereo 1/4 inch phone type), Phones Jack (Stereo 1/4 inch phone type), Mix in Jack (stereo miniature phone type), MIDI OUT Connector Output Impedance 1.0 k ohms Power Supply AC Adaptor (DC 9 V) Current Draw 500 mA Accessories Owner's Manual, AC Adaptor (PSB-1U), Special Connection Cable, Wing Bolt (M5 x 10) x 2, Sound Module Mounting Plate Options Pads: PD-8, PDX-8, PD-85, PD-105, PD-125, Cymbals: CY-5, CY-8"  (less)

to the Voyagers accessory port with the included detachable cable. It houses twenty-one one-quarter inch jacks that are connected to the Voyagers CV and Gate outputs in a CP-251 sized enclosure with an optional rack mount kit. It also includes two 4-way mults and two attenuators. Adding this to your Voyager adds the capabilities of a modular synthesizer. Think: if Voyager = infinite sound possibilities, then Voyager + VX-351 = infinity2. Features (1) DB-25 cable for connection to the Voyager's accessory port (19) Control Voltage outputs Keyboard Pitch (w/ internal trim to calibrate to 1 V/Octave) Keyboard Velocity Keyboard Afterpressure Touch Surface X Touch Surface Y Touch Surface A (area) Pitch Bend Wheel Mod Wheel MOD 1 signal (signal at Voyager MOD 1 input) MOD 2 signal (signal at Voyager MOD 2 input) LFO triangle wave LFO square wave Mod Wheel Mod Buss output Pedal/On Mod Buss output Filter Envelope Volume envelope Sample and Hold Step Sample and Hold Smooth Noise (2) Gate outputs Keyboard Gate Touch Surface Gate (2) Attenuators  (less)