six XLR outputs, dual channel graphic EQ, classic dbx Compression, multiple crossovers, parametric EQ and a built-in real time audio analyzer. In addition, this audio toolbox provides the end user with 24 custom presets that have been specifically written and designed to work in tandem with the most popular studio reference monitors available. The DriveRack Studio now allows you to fine-tune even the most sonically challenged rooms. The DriveRack Studio continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack Studio was designed with the purpose and vision of providing state-of-the-art signal processing in the studio environment, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx® stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus™ limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. Features: 24 Custom Factory Programs Optimized for Studio Monitor Management Dual 28-band Graphic EQ Classic dbx® Compressor 120A Sub-harmonic Synthesizer 2x3, 2x4, 2x5, 2x6 Crossover Configurations Stereo Multi-band Parametric EQ Stereo Output Limiters Alignment Delay Pink Noise Generator Auto-EQ with 28-Band RTA 2-Channel XLR Input and 6 Channel XLR Output Front panel RTA-M XLR input with phantom power 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range TYPE IV® Conversion System Full Graphic LCD Display  (less)

recordings Perfect for use with realtime analyzers for precise, accurate room acoustics alignments Especially suited for highly effective, detailed recording of acoustic guitars and vocals Rugged construction, gold-plated XLR, and internal assembly shockmount for maximum reliability Includes foam windscreen for outdoor applications and mic stand clip (including 5/8"" to 3/8"" adapter)"  (less)

microphones. The CH700 employs exceptional 40mm drivers with ultra thin Mylar diaphragms and high-output neodymium magnets. The result is a wide dynamic range and linear frequency response from 20Hz to 22kHz for exceptional reproduction and a balanced sound making them a perfect choice for monitoring digital audio. The large earpiece further extends the low frequency response and the adjustable headband and lightweight design provide comfort and easy listening through the longest sessions. Samson CH700 Features: Closed back design 40mm Mylar drivers Frequency response: 20Hz to 20kHz Impedance: 64 Ohms Sensitivity: 108 dB S.P.L. at 1 kHz ±3dB Get your Samson CH700 today!  (less)

microphones. The CH70 employs exceptional 40mm drivers with ultra thin Mylar diaphragms and high-output neodymium magnets. The result is a wide dynamic range and linear frequency response from 20Hz to 22kHz for exceptional reproduction and a balanced sound making them a perfect choice for monitoring digital audio. The adjustable headband and lightweight design provide comfort and easy listening through the longest sessions. Samson CH70 Features: Closed back design 40mm Mylar drivers Frequency response: 20Hz to 20kHz Impedance: 32 Ohms Sensitivity: 103 dB S.P.L. at 1 kHz ±3dB Get your Samson CH70 today!  (less)

neodymium magnet and leading-edge headphone circuitry. Engineered for comfortable listening over extended periods of time and natural, uncolored audio, the RH100s sound great in any kind of studio and/or home music playback situation. Samson RH100 Features: Ambient open-ear design 40mm diaphragm drivers High quality neodymium magnets Frequency response: 20Hz to 22kHz Impedance: 64 Ohms Sensitivity: 106 dB S.P.L. at 1 kHz ±3dB Get your Samson RH100 today!  (less)

of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered. AKG C414B/XLS Features: High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions Optional R 414 remote control unit (under development) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors AKG C414B/XLS Specifications: Polar pattern Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Signal/noise ratio 88 dB Preattenuation pad -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance Recommended load impedance >= 2,200 ohms Supply voltage 48 V phantom power to DIN/IEC Current consumption approximately 4.5 mA Dynamic range 134 dB minimum Connector 3-pin XLR to IEC Dimensions 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight 300 g (10.6 oz.) Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) Get your AKG C414B/XLS today!  (less)

patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR2 is available with six microphone choices, including the condenser SM86. Shure UR2/SM86 Handheld Transmitter at a Glance: Employs the high-performance SM86 condenser mic capsule Rugged transmitter runs on AA batteries Part of high-performance Shure UHF-R wireless system The best sound quality from Shure's famous Audio Reference Companding Employs the high-performance SM86 condenser mic capsule Following in the footsteps of the SM58 and SM57, the SM86 has everything the SM line of Shure microphones has stood for all these years - durability, quality performance, and reliability. The difference is that this new SM handheld microphone brings with it a remarkable sound quality that only a condenser mic can deliver! If you've spent any time in a recording studio you've probably experienced the benefits of a good condenser mic: great transients, balanced frequency response and wide dynamic range. The Shure SM86 packs those qualities into a rugged steel case to give you condenser quality in a handheld stage mic. The SM86 makes a great vocal mic. Its frequency response of 50Hz - 18kHz includes a presence peak in the 2-5kHz range that ensures clarity and projection for all vocal ranges. Plus, the SM86 works well with vocalists who like to work both close to the mic and up to 18 inches away, delivering a robust sound and bass response that smoothly moves from enhanced and powerful up close to smooth and even farther away. Rugged transmitter runs on AA batteries The Shure UR2 handheld transmitter is a pro performer all the way, with a rugged die-cast body and up to 8 hours of continuous operation on two AA batteries. The UR2 features a 5-segment battery life LCD, and an on/off/mic mute switch. An LCD group/channel status indicator and a power/frequency lock are also provided. Part of high-performance Shure UHF-R wireless system A Shure UHF-R wireless system with a UR2 transmitter gives you the tools you need to handle large-scale, no-mistakes-allowed live situations. A Shure UHF-R system provides 2,400 selectable frequencies across a 60MHz bandwidth, with up to 40 compatible systems per band. Shure's Advance Track Tuning shifts the RF filter along with the selected frequency, maximizing signal isolation from interference. The UHF-R system also features networked automatic setup to minimize time and effort, plus infrared transmitter sync. Integrated Wireless Workbench software with Ethernet and USB compatibility gives you advanced, real-time control and monitoring of large systems. Shure's famous Audio Reference Companding technology ensures exceptional audio quality.  (less)

transmitter setup, exceptional wireless clarity, and legendary Shure microphones. Supporting 20 compatible systems across multiple UHF frequency bands, SLX smoothly integrates into clubs, houses of worship, lecture halls, conference rooms, and mobile gear cases. The SLX124/85/SM58 Wireless Combo Mic System includes two mics (SM58 Vocal Microphone Cartridge, WL185 Lavalier Mic), two transmitters (SLX2 Transmitter, SLX1 Bodypack Transmitter), and one SLX4 Diversity Receiver: SM58 Vocal Microphone Cartridge The Shure SM58 is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath ""pop"" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing, speech - the SM58 is the overwhelming choice of professionals. WL185 Lavalier Mic The WL185 is a supercardioid, lavalier electret condenser microphone designed for use with a wireless body-pack transmitter, and is recommended for general purpose sound reinforcement applications requiring good rejection of ambient noise. Use of windscreen highly recommended. Pickup angle is 130 degrees. SLX1 Bodypack Transmitter The SLX1 bodypack transmitter is designed to hold up to the most adverse conditions. Whether used with headworn, lavalier, instrument microphones, or with guitars or basses, the SLX1 is the definition of reliability. Features: Automatic Transmitter Setup Backlit LCD with timeout feature Frequency and power lockout 3-segment battery fuel gauge 2 AA batteries (included) provide 8 hours of continuous use 518 - 782 MHz operating range SLX2 Handheld Transmitter For usw with SM58, SM86, SM87A, Beta 58A, Beta 87A and Beta 87C mics. Features: Automatic Transmitter Setup Backlit LCD with timeout feature Frequency and power lockout 3-segment battery fuel gauge 2 AA batteries (included) provide 8 hours of continuous use 518 - 782 MHz operating range SLX4 Diversity Receiver The SLX4 receiver brings unprecedented ease of use to wireless with Automatic Frequency Selection and Automatic Transmitter Setup. With included rack hardware and detachable antennas, it is ready for immediate installation right out of the box. SLX Wireless Systems feature Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireles"  (less)

picture at the mix position. JBL Professional, continuing its long tradition of revolutionary products, decided it was time to fix the problem. Introducing the new JBL LSR4300 Studio Monitors featuring RMC™ Room Mode Correction, JBL's exclusive technology that automatically analyzes and corrects the response of each speaker in the room for absolute accuracy at the mix position. The first studio monitors with powerful network intelligence built into each speaker specifically designed to deliver an accurate mix in any room, the LSR4300's are the ultimate monitor for modern production studios. The LSR4300 models feature stunning JBL sound, provide accurate mixes in any workspace, and are priced well within the reach of any project studio. The first self aware monitoring system, they're the only choice for music, post, broadcast, Surround 5.1, and beyond. Recording and mixing for long hours requires a superb sounding monitor with wide dynamic range, low distortion, and crystal clear response. The LSR4300 delivers. Starting with application built transducers engineered for extremely accurate response and superb power handling, the 4300's stunning sound makes long mix sessions a pleasure. For long-term reliability, the LSR4300 Series withstood the JBL loudspeaker torture test in which the system is driven to extraordinary levels for over 100 hours. Meeting higher standards than any other loudspeaker manufacturer, JBL's demanding test ensures that the LSR4300's will give you accurate mixes year after year. Great mixes start with an accurate monitor. The 4300 Series incorporates JBL's Linear Spatial Reference Technology that matches the exact geometry of the 4300's waveguide design with its transducers and crossover network to optimize the frequency response at the mix position. To ensure that this incredibly accurate monitor delivers superb mixes in the room you're working in, JBL's next generation RMC™ Room Mode Correction system incorporates a powerful analyzer into each speaker that automatically analyzes and compensates for problems caused by low frequency standing waves and proximity to boundaries. Truly putting technology to work, all of this is accomplished by simply plugging the LSR4300 calibration microphone into the speaker and pushing a button. A JBL first, the LSR4300 meter provides a reference of the output from each speaker in the system. The results are a revolution in professional mixing: a calibrated listening environment where the monitors truly work in harmony with the room. This creates a stunningly clear and articulate sound stage enabling reliable mixes that translate faithfully to the outside world. Today's digital production environments are all about precision and control.  (less)

environment 8"" anodized-aluminum cone LF driver > exceptionally low distortion 1"" Teteron soft fabric Neodymium HF driver with built-in heat sink > accurate extension up to 27kHz with minimized power compression 180W Class D bi-amplification > low distortion, high efficiency analog and digital inputs > up to 24-bit/192kHz high-density cabinet > good damping and reduced acoustic interference custom bass-reflex dual-sided flared ports > controlled extended bass response with reduced turbulence The Studiophile® DSM2 reference monitor is engineered to provide superior monitoring to discerning audio professionals. The design results from collaboration between two powerhouse companies in music technology: M-Audio, the top U.S. manufacturer of reference monitors, and Digidesign, the industry leader in DSP technology. The DSM2 monitor features DSP-based crossover management, an assortment of onboard digital EQ controls, proprietary high-grade driver designs, and analog and digital inputs for high-resolution audio up to 24-bit/192kHz. With stunning accuracy, clarity and dynamic range, the Studiophile DSM2 monitor makes world-class reference technology accessible to a broad array of creative and professional environments. Redefining the World-Class Near-Field Monitor Over the last 20 years, M-Audio has achieved critical acclaim across diverse lines of music production tools. We attribute much of this success to the fact that each product group operates like a small boutique shop within the organization. The Los Angeles-based engineering team that designed the industry-leading Studiophile line applied their expertise to the DSM drivers, power amps, cabinetry and electronics. Along the way, they worked with top recording engineers and producers to refine the Studiophile DSM monitors for optimal performance. Powerful DSP M-Audio engineers worked closely with their counterparts at sister company Digidesign to bring their experience to the Studiophile DSM1 monitor. The powerful onboard DSP engine controls a complex 4th-order digital crossover. It also provides clear and accurate audio imaging by compensating for phase differences between the two drivers at the crossover point-delivering perfect acoustic alignment and exceptional imaging. And as a result of exhaustive tuning and listening sessions, the DSM1 monitor provides incredible tonal accuracy, excellent dynamic range and exceptionally low distortion. Tailor the Speaker to Your Room Your listening environment and speaker placement greatly impact monitor performance. To ensure optimal monitoring in your studio, the onboard DSP also manages a broad range of customizable performance filter settings that allow you to tailor "  (less)

picture at the mix position. JBL Professional, continuing its long tradition of revolutionary products, decided it was time to fix the problem. Introducing the new JBL LSR4300 Studio Monitors featuring RMC™ Room Mode Correction, JBL's exclusive technology that automatically analyzes and corrects the response of each speaker in the room for absolute accuracy at the mix position. The first studio monitors with powerful network intelligence built into each speaker specifically designed to deliver an accurate mix in any room, the LSR4300's are the ultimate monitor for modern production studios. The LSR4300 models feature stunning JBL sound, provide accurate mixes in any workspace, and are priced well within the reach of any project studio. The first self aware monitoring system, they're the only choice for music, post, broadcast, Surround 5.1, and beyond. Recording and mixing for long hours requires a superb sounding monitor with wide dynamic range, low distortion, and crystal clear response. The LSR4300 delivers. Starting with application built transducers engineered for extremely accurate response and superb power handling, the 4300's stunning sound makes long mix sessions a pleasure. For long-term reliability, the LSR4300 Series withstood the JBL loudspeaker torture test in which the system is driven to extraordinary levels for over 100 hours. Meeting higher standards than any other loudspeaker manufacturer, JBL's demanding test ensures that the LSR4300's will give you accurate mixes year after year. Great mixes start with an accurate monitor. The 4300 Series incorporates JBL's Linear Spatial Reference Technology that matches the exact geometry of the 4300's waveguide design with its transducers and crossover network to optimize the frequency response at the mix position. To ensure that this incredibly accurate monitor delivers superb mixes in the room you're working in, JBL's next generation RMC™ Room Mode Correction system incorporates a powerful analyzer into each speaker that automatically analyzes and compensates for problems caused by low frequency standing waves and proximity to boundaries. Truly putting technology to work, all of this is accomplished by simply plugging the LSR4300 calibration microphone into the speaker and pushing a button. A JBL first, the LSR4300 meter provides a reference of the output from each speaker in the system. The results are a revolution in professional mixing: a calibrated listening environment where the monitors truly work in harmony with the room. This creates a stunningly clear and articulate sound stage enabling reliable mixes that translate faithfully to the outside world. Today's digital production environments are all about precision and control.  (less)

in all the situations where the output of a PA and the size of a studio monitor is required. Superb deep bass punch, very linear and precise frequency response. RCF ART 310 is an wide dispersion 2 way sound reinforcement speaker. The new 10" neodymium woofer is the result of the latest refinement in year of RCF experience in compact 2 way speakers. Features a 2.5" voice coil, very high efficiency and controlled bass reproduction. The compression driver uses a new 1.5" Mylar dome design and optimised geometry radial phase plug. This innovative design is powered from a high flux neodymium magnet offering a very open and natural midrange sound with extreme precision in high frequency reproduction. All the system is housed in a strong, very lightweight, polypropylene composite enclosure . The components are protected by a strong, powder coated, metal grille. The cabinet features (2) M10 threaded fly points, a 35 mm stand adaptor plus an ergonomic top handle for easy transportation. Features: 300 watt power handling 127 dB max SPL Wide dispersion, 90x70 low distortion, constant directivity horn 10" high power woofer, 64mm in/out aluminium coil 1" neodymium, high frequency driver Electronic equalization, phase alignment, limiter and protection Mic/Line XLR input, XLR signal output 1 comfortable top handle for easy transportation and positioning Two M10 fly points and built in pole mount adaptor Dimensions: (H x W x D): 21.14x13.27x12.4 inch Weight: 27.33 lb Get Your RCF ART 310-A Today!  (less)