Operational Index And Reference Guide'.  (less)

road crew, if "The Load Out," a love song to his roadies, is to be believed. Browne is much more blithe here than in his earlier outings. But Empty also represents a fleeting lighthearted moment for the singer-cum-poet whose concerns became more political than personal after its appearance. Beneath its flippant surface, this disc is a look at the lengths Browne and his friends went to avoid facing the demands of the touring life. What with the frequent drug references, misogynistic references to on-the-fly pairings with women, and the sobering line in the title track--"I look around for the friends I used to pull me through / Looking into their eyes, I see them running, too"--one realizes that Browne was much more comfortable on the road than off...  (less)

tunneled beneath an orchestra of guitar, banjo, keyboards, and strings. More definitive than ever, the rhythm and percussion complement Beam's voice, a lulling, almost eerie tone that occasionally recalls John Lennon's early solo work, especially on delicate tracks like the bluesy "Wolves (Songs of the Shepherd's Dog" and "Carousel," with its veiled references to Iraq. Those raised on the lo-fi routine of Beam's earlier work will find rawness and sanctity in the more upbeat selections: The CSN folk-rock of "House by the Sea" and "Boy with a Coin" and the atmospheric beauty of "Pagan Angel and a Borrowed Car" and Shepherd's best song, "Lovesong of the Buzzard." With an organ swirling about and a slide guitar adding gentle flourishes, Beam concede...  (less)

Includes newly recorded, original songs, and music by Sam Phillips and Grant-Lee Phillips just for the soundtrack, plus opening theme song 'Where You Lead I Will Follow' by Carole King & Louise Goffin. Other artists include Joey Ramone, John Lennon, Yoko Ono, Yo La Tengo, XTC and more. Rhino. 2002.  (less)

at one of his concerts, the audiences are immediately engrossed by the King of the South's words. T.I., here delivers his most potent and important LP to date; 'Paper Trail.' The title is a direct reference to T.I.'s return to literally writing down his lyrics- a practice he hasnt engaged in since his debut. By going back to the basics T.I. has evolved into a better MC. The album features guest appearances and production by Lil Wayne. Rihanna, Usher, The Dream, Fall Out Boy, Kanye West, B.O.B, John Legend, DJ Toomp, Swizz Beatz, Drumma Boy, & Danja. This is the explicit version.  (less)

is at once listenable and challenging; she takes on every topic, from sex to gender to religion, in an uncompromising manner. Her music appears gentle at first, but this appearance is deceiving, as one quickly learns upon listening to the wrenching "Crucify" or the almost violent "Precious Things." By the time the album gets around to "Me and a Gun," sung hauntingly by Amos without accompaniment from her piano, the juxtaposition of Amos' sweet voice and the emotional complexity of her lyrics is both familiar and shocking. Sandman fans should listen for a reference to author Neil Gaiman in "Tear in Your Hand." --Genevieve Williams  (less)

notably on the vitriolic "Song for the Dumped"), but here he aims most of his criticism at the mirror. On the wondrously snarky "Redneck Past" he sings, "My ex-wives all despise me / try to put it all behind me / but my redneck past is nipping at my heels." Apparently he doesn't have a chip on his piano any more. The production is lush and ornate, with strings and horns embellishing Folds's usual quota of to-die-for hooks (which he seems to dash off as effortlessly as postcards from the beach). An obvious point of reference is Pet Sounds , but Ben Folds Five widen their scope to also include hints of Steely Dan, Pink Floyd, and even Queen, whose influence is front and center on the bombastic opener "Narcolepsy," a virtu...  (less)

unemployed riverboat workers, covering Woody Guthrie and plucking banjos like there was no tomorrow. Produced by David Rawlings, Big Iron World boasts the expected barnstormers ("Cocaine Habit") and late-night meditations ("God's Got It") alongside a handful of folkie sing-a-longs ("Down Home Girl") and a thoroughly unexpected reference to Karl Rove. And where else are you going to hear songstress Gillian Welch banging away on the drums? --Aidin Vaziri  (less)

baroque masterpiece. Luckily, Kremer inventively separates each Vivaldi season with a corresponding composition from Astor Piazzolla's Four Seasons Suite , making for fascinating comparisons. Kremer's performances of the Vivaldi are remarkable, sounding solid and fresh. And like an infectious Broadway musical, Piazzolla's seasons always seem on the verge of a giddy dance number. Kremer really gets to show off on these tango-inspired pieces, but he's charming throughout. The programming probably won't make this your reference Four Seasons , but for those who love their Vivaldi in small doses or fans of Kremer's Tango Ballet disc, this is a must-have. --Jason Verlinde  (less)