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 | "Adobe LiveMotion offers Web animators a tremendous number of features, so getting up the learning curve can be a challenge for a new user. Sams Teach Yourself Adobe LiveMotion in 24 Hours might not teach you everything about LiveMotion in a day, but it certainly will take you a ways up the slope. Written with the beginning Web designer in mind, Part I focuses on introducing LiveMotion and its tool set while educating you on how Web graphics work. But, while the author appropriately details the differences between GIF, JPEG, and PNG graphic-image formats, LiveMotion is a tool for creating vector-based animation for the Web, and the chapter ""Understanding Web Graphics"" makes no mention of the Flash, QuickTime (which LiveMotion doesn't utilize), or even animated GIF formats. Parts II (Working with LiveMotion Objects), III (Color, Shape, and Style), and IV (Creating Static and Dynamic Images for the Web) detail use of the application itself, and Parts V and VI wrap up the book with examples of animation and multimedia, and designing and optimizing advanced Web presentations. Although LiveMotion is primarily an animator's tool, this book takes a different approach to it, looking at and using it as if it were a Web designer's tool. Interesting chapters about creating rollovers and using LiveMotion for page compositing illustrate this, as do 22 pages on setting type. Meanwhile, the whole section on creating animation in LiveMotion is just over 20 pages long. An inexpensive book, Sams Teach Yourself Adobe LiveMotion in 24 Hours doesn't have an accompanying CD-ROM or any color illustrations, which makes chapter 10, ""Getting Colorful,"" somewhat theoretical. The book as a whole reads more like a reference manual than a tutorial, but the detailed index will help you find what you need quickly. For people who need to learn from structured tutorials, there are other books. For those who like to create things on their own and need only a reference book with examples, this one is a good choice. --Mike Caputo" (less)Sams | $1 - $25  5 Merchants |
|  | The need for efficient content-based image retrieval has increased tremendously in areas such as biomedicine, military, commerce, education, and Web image classification and searching. In the biomedical domain, content-based image retrieval can be used in patient digital libraries, clinical diagnosis, searching of 2-D electrophoresis gels, and pathology slides. Integrated Region-Based Image Retrieval presents a wavelet-based approach for feature extraction, combined with integrated region matching. An image in the database, or a portion of an image, is represented by a set of regions, roughly corresponding to objects, which are characterized by color, texture, shape, and location. A measure for the overall similarity between images is developed as a region-matching scheme that integrates properties of all the regions in the images. The advantage of using this soft matching is that it makes the metric robust to poor segmentation, an important property that previous research has not solved. Integrated Region-Based Image Retrieval demonstrates an experimental image retrieval system called SIMPLIcity (Semantics-sensitive Integrated Matching for Picture LIbraries). This system validates these methods on various image databases, proving that such methods perform much better and much faster than existing ones. The system is exceptionally robust to image alterations such as intensity variation, sharpness variation, intentional distortions, cropping, shifting, and rotation. These features are extremely important to biomedical image databases since visual features in the query image are not exactly the same as the visual features in the images in the database. Integrated Region-Based ImageRetrieval is an excellent reference for researchers in the fields of image retrieval, multimedia, computer vision and image processing. (less)Author: James Z. Wang ♦ Binding: Hardcover ♦ ISBN-13: 9780792373506 | $167 - $179  4 Merchants |
|  | In this DVD, Tim takes you through the entire process of creating an environment with 3ds Max starting with the analysis of reference photographs and determining real world object dimensions, all the way through the 3D modeling and texturing pipeline. Tim will teach you how to spot the visual cues that will allow you to quickly and accurately determine dimensions from set photographs. You will also learn how to build quick layout files for modeling and animation and how to model and texture an entire environment from photographic reference. Many artistic and technical challenges are addressed such as understanding perspective, modeling architecture, tile roofs, stone pathways as well as decay and general destruction. (less) Director: Alex Alvarez ♦ Actors: Tim Jones | $50 - $69  5 Merchants |
|  | "Andrea Parkins always gives her bands such a distinctive flavor: she goes right past conventional squeezebox references and treats the thing like a no-input mixing board, generating sine waves, or a live miniature Morton Feldman generator, slowly stacking tones." -- Signal To Noise Faulty (Broken Orbit) re-imagines Faulty (Per-Objective), an hour-long 10-channel site-specific audio work premiered in 2007 at Diapason Gallery For Sound in NYC, with sponsorship from Harvestworks Digital Media Arts Center and the New York Electronic Arts Festival. Faulty (Broken Orbit) is a poetic exploration of mic'ed surfaces and amplified quotidian objects activated into movement, layered against a shifting and slowly settling field of electric accordion-driven feedback and processed instruments. This massive piece sets out to build elaborate systems in the manner of Rube Goldberg's circuitous contraptions, which Parkins claims as inspiration for both her customized sound processing software and co... (less)Artist: Andrea Parkins | $12 - $17  5 Merchants |
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