with her longtime producer Pierre Marchand. In addition the deluxe two CD set includes an expanded booklet and original art-print from Sarah Mclachlan.  (less)

is changing things up from the first album with a more edgy, youthful and urban feel. Collaborating with Compound Entertainment which includes Claude Kelly, Chuck Harmony and singer/songwriter NeYo they have infused her Jazz vocal style with more of a Pop feel leaning to a full integration of Hip Hop Soul. Features 'Epiphany (I'm Leaving)', 'Notebook', 'Blame It On Me' and many more.  (less)

ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine  (less)

her refreshing sense of understatement. With no marketing push and only the power of the music behind her, Caillat became a sensation on the social networking site. Rolling Stone highlighted her as one of the top female artists on myspace. Ultimately, her number of friends swelled to more than 100,000. Her profile has been visited over 3 million times, and she has more than l0 million plays. She's currently averaging 50,000 + a day. The songs on Caillat's debut album COCO mirror the Malibu-born Caillat's low-key, refreshing style. Armed with her acoustic guitar and her dusky vocals, she evokes the same gentle, yet spirited style of her musical influences John Mayer, Bob Marley, Lauryn Hill and The Weepies. The laid-...  (less)

live over the years, but never recorded. It is an American songbook of tunes made famous by artists as varied Buddy Holly, The Dixie Chicks, The Temptations, Leonard Cohen, George Jones and Eddie Cochran, but embraced and interpreted by James Taylor in a way that makes each one his own. It is a significant work by one of the greatest artists of his generation, which pays tribute to classic American songs from Broadway to Nashville, Detroit to Memphis and across all boundaries. Covers is in itself a classic James Taylor recording.  (less)

with a variety of superstar producers including Butch Walker, David Bendeth, Matt Squire, and more. RIYL: Blink 182, Fall Out Boy, New Found Glory, All American Rejects, Paramore.  (less)

13 Year Old Self," "Runaway"), overheated pickup artists ("U + Ur Hand"), and gross materialism ("I Got Money Now"). None of it, in other words, is for featherweight listeners. Then again, none of it suits eggheaded college tastemakers either. Where this translates, then, is with those willing to man up and embrace what makes Pink Pink: her spellbinding ability to render rebelliousness in all the many colors of the rainbow. Neil Young-inspired acoustic guitar is sketched into "The One That Got Away," but it's just as quickly scribbled over by Joan Jett-style ranting (on "Long Way to Happy") and Janis Joplin/Joss Stone-fueled howling (on "Who Knew"). Even R&B gets its turn ("I Got Money Now"). The album also includes appea...  (less)

hit "Hanging by a Moment." Calling that song a hit, however, is a bit of an understatement as "Hanging by a Moment" was the most-played song of 2001. Stanley Climbfall, the band's Top 10 follow-up, was released in 2002. 2005 saw the release of their third album simply titled Lifehouse which included the undeniable hit #1 multi-format hit "You And Me" and kept the band out on the road touring for over a year. With Who We Are, Lifehouse takes another evolutionary step making an upbeat album full of potential hits sure to please fans and make new ones.  (less)