and even gone on to create competing genres all their own. I place Alex Hargreaves and Paul Kowert on the same shelf with this elite group. These are not just young people. These are old souls with unique voices and complete command of their instruments who are able to swing hard in a variety of musical genres with grace and authenticity, power and beauty. It has not been without continuous amazement and joy that I have been able to play with these two guys and create this music together. Their depth of musical understanding, breadth of creativity and expression and just plain instrumental chops was never short of astounding. If THIS is what the next generation of string musicians is going to be doing, then Im riding with them.' Mike Marshall  (less)

original piano score and Marshall Yeager's Kaleidoplex fractal art lends an exciting visual element to the DVD. The second half is "New York City Sessions" by Cameron Carpenter. A result of evenings improvising on the inspiring Trinity organ, one theme of Carpenter's suite is C-B-G-B, the name of one of New York's most famous rock music clubs. At times sounding like a theatre organ, a cathedral instrument, a techno nightclub, or the New York City subway system, Carpenter explores the organ's resources in extraordinary depth and detail. For anyone that wants to know what a 21st Century organ of 240-voices sounds like when exercised to its full capacity, this album is a must! In addition, the DVD includ...  (less)

MG4 Series the unbelievable depth of sound and unique feel of their legendary, all-tube amps. It does this by emulating the way an all-tube power amp interacts with the speaker(s) it is driving. Plus the easy to use panel controls include gain, followed by a three-band EQ, volume and Master Volume. The MG30FX provides two simultaneous effects, Reverb and one of these four digital effects (Chorus, Phaser, Flanger or Delay). The Delay can be manually set using the front panel Tap button.  (less)

several anti-feedback controls including a Phase switch for each channel and frequency controllable Notch Filters. The AS100D has been specially designed for use with a variety of acoustic instruments, regardless of whether they have pick-ups built in or not. Between its four channels, this combo has the flexibility to handle instruments with piezo transducers or magnetic pick-ups, plus microphones, for both vocal and instrument reproduction. The two main acoustic instrument channels [1 and 2] may be linked together and feature independent level and EQ controls. The dedicated microphone channel offers a similar level of control. The AS100D also has phono inputs on the Auxiliary channel, specifically for use with external audio equipment. Its 2x50-watt stereo configuration gives you enough power to perform on stage with superb clarity, while the provision of a balanced line out allows you the luxury of direct connection to an external PA system for larger concerts. The superb quality of the built-in digital effects for Reverb, Delay and Chorus, adds an entirely new dimension to the range of sounds available. The AS100D is actually the first ever Marshall combo to feature digital effects, but it certainly won't be the last! Should you want to add further effects, there is a parallel effects loop complete with level control. One of the most difficult aspects of amplifying acoustic instruments is feedback. To help eliminate this, the AS100D features several anti-feedback controls, including a Phase switch for each channel and frequency controllable Notch Filters with selectable extra depth for channels 1 & 2. For clear and detailed performance, the AS100D is loaded with two 8 inch speakers and two high fidelity polymer dome tweeters. There is also an internal limiter which allows you to push the maximum level from the stereo 50-watt output stage, while remaining distortion free. Compact and portable, the stylish AS100D offers great flexibility and is the ideal amplifier for the acoustic player who wants the highest quality performance, with absolutely natural tonal reproduction. The Marshall AS100D gives you the power to perform, but with sound so natural you'll forget you're even plugged in!  (less)

mic for vocals or instruments, and external audio equipment via a phono input channel. Channels 1 and 2 have separate EQ and level controls but also may be linked. 2x50W stereo power gives you plenty of oomph for stage performance, and a balanced line out allows direct connection to a PA. The Marshall amp has a built-in digital reverb, delay, and chorus that add dimension to your sound, and a balanced parallel effects loop with level is included. Anti-feedback controls include a phase switch and notch filters for each channel with selectable extra notch depth for channels 1 and 2.  (less)

or magnetic pick-ups, plus microphones for both vocal and instrument reproduction. Its 2 x 50 Watt stereo configuration gives you enough power to perform on stage with superb clarity, while the provision of a balanced line out allows direct connection to an external PA system for larger concert venues. The built-in digital effects add an entirely new dimension to the range of sounds available. If you want to add further effects, then there is a parallel effects loop with level control.One of the most difficult aspects of amplifying acoustic instruments is feedback. To help you eliminate this, the AS100D features several 'anti-feedback' controls, including a Phase switch for each channel and frequency controllable Notch Filters with selectable extra depth for channels 1 and 2. It also features a fourth channel suitable for CD/MD, tape player or a drum machine if needed. For clear and detailed performance, the AS100D is loaded with two 8"" speakers and two high fidelity polymer dome tweeters. There is also an internal limiter which allows you to push the maximum level from the stereo 50 Watt output stage, whilst remaining distortion free. Compact and portable, the AS100D offers great flexibility and is the ideal amplifier for the acoustic player who wants the highest quality performance and natural tonal reproduction. Marshall AS100D Description: The AS100D has been specially designed for use with a variety of acoustic instruments, regardless of whether they have pickups built in or not. Between its 4 channels, this combo has the flexibility to handle instruments with piezo transducers or magnetic pickups, plus microphones, for both vocal and instrument reproduction. The 2 main acoustic instrument channels [1 and 2] may be linked together and feature independent level and EQ controls. The dedicated microphone channel offers a similar level of control. The AS100D also has phono inputs on the Auxiliary channel, specifically for use with external audio equipment. Its 2x50-Watt stereo configuration gives you enough power to perform on stage with superb clarity, while the provision of a balanced line out allows you the luxury of direct connection to an external PA system for larger concerts. The superb quality of the built-in digital effects for Reverb, Delay, and Chorus, adds an entirely new dimension to the range of sounds available. The AS100D is actually the first ever Marshall combo to feature digital effects, but it certainly wont be the last! Should you want to add further effects, there is a parallel effects loop complete with level control. One of the most difficult aspects of amplifying acoustic instruments is feedback. To help eliminate this, the AS100D feature"  (less)

96 kHz sampling recreates true tube amp sound The tone of tube amplification lies in the mix of rich harmonics that extend far beyond the range of human hearing (20 kHz). Because the ZOOM G1 uses 96 kHz sampling, it provides a flat frequency response from 20 Hz up to an amazing 40 kHz. This allows for an accurate model of the delicate harmonic structure of the distortion produced by a tube amp. The dynamic range is also excellent, thanks to 24-bit A/D/A conversion. Every detail of your playing technique, whether picked or fingered, emerge with full clarity. ZFX-3 - the new-generation 32-bit DSP The heart of any multi-effect device is its processor and decoder section. The G1 features the Zoom's ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. This is a new generation DSP that brings out the character of your instrument without restrictions, helping you pursue the ultimate in guitar sound. 21 amp/stomp box modeling choices Covering a range of popular models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1 faithfully duplicates the distortion of tube amps and vintage effects. The choices range from models that made guitar history such as Fender, Marshall and Vox to popular modern amps including Mesa/Boogie, Peavey, and Diezel. An acoustic simulator is also included, so your electric instrument can sound like an acoustic guitar when the fancy strikes. 54 high-quality effects to fire your imagination A total of eight modules provide 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply equalization in three bands. Add spaciousness and depth with two types of chorus. Simulate the acoustics of a room or a concert hall with five types of reverb. All effects are designed for real-life musical applications. Have the Harmonized Pitch Shifter play along in key. Use long delay and echo settings of up to 5 seconds. A multitude of high-performance choices opens up totally new territory in this class. 40 presets give you the sound of the pros Utilize settings for duplicating the tone of well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as completely original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality guitar sound. And when creativity strikes, a separate area capable of storing another 40 user patches is also provided. Simple and friendly user interface Editing an effect is as simple as choosing the target with the selector knob and adjusting the parameter with the value knob. Let your imagination roam free  (less)

ZOOM G1 uses 96 kHz sampling, it provides a flat frequency response from 20 Hz up to an amazing 40 kHz. This allows for an accurate model of the delicate harmonic structure of the distortion produced by a tube amp. The dynamic range is also excellent, thanks to 24-bit A/D/A conversion. Every detail of your playing technique, whether picked or fingered, emerge with full clarity. ZFX-3 — the new-generation 32-bit DSP The heart of any multi-effect device is its processor and decoder section. The G1 features the Zoom's ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. This is a new generation DSP that brings out the character of your instrument without restrictions, helping you pursue the ultimate in guitar sound. 21 amp/stomp box modeling choices Covering a range of popular models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1 faithfully duplicates the distortion of tube amps and vintage effects. The choices range from models that made guitar history such as Fender, Marshall and Vox to popular modern amps including Mesa/Boogie, Peavey, and Diezel. An acoustic simulator is also included, so your electric instrument can sound like an acoustic guitar when the fancy strikes. 54 high-quality effects to fire your imagination A total of eight modules provide 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply equalization in three bands. Add spaciousness and depth with two types of chorus. Simulate the acoustics of a room or a concert hall with five types of reverb. All effects are designed for real-life musical applications. Have the Harmonized Pitch Shifter play along in key. Use long delay and echo settings of up to 5 seconds. A multitude of high-performance choices opens up totally new territory in this class. 40 presets give you the sound of the pros Utilize settings for duplicating the tone of well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as completely original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality guitar sound. And when creativity strikes, a separate area capable of storing another 40 user patches is also provided. Simple and friendly user interface Editing an effect is as simple as choosing the target with the selector knob and adjusting the parameter with the value knob. Let your imagination roam free and put your ideas into practice without being hampered by cumbersome controls. Drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm pattern  (less)

the range of human hearing (20 kHz). Because the ZOOM G1 uses 96 kHz sampling, it provides a flat frequency response from 20 Hz up to an amazing 40 kHz. This allows for an accurate model of the delicate harmonic structure of the distortion produced by a tube amp. The dynamic range is also excellent, thanks to 24-bit A/D/A conversion. Every detail of your playing technique, whether picked or fingered, emerge with full clarity. ZFX-3 - the new-generation 32-bit DSP The heart of any multi-effect device is its processor and decoder section. The G1 features the Zoom's ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. This is a new generation DSP that brings out the character of your instrument without restrictions, helping you pursue the ultimate in guitar sound. 21 amp/stomp box modeling choices Covering a range of popular models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1 faithfully duplicates the distortion of tube amps and vintage effects. The choices range from models that made guitar history such as Fender, Marshall and Vox to popular modern amps including Mesa/Boogie, Peavey, and Diezel. An acoustic simulator is also included, so your electric instrument can sound like an acoustic guitar when the fancy strikes. 54 high-quality effects to fire your imagination A total of eight modules provide 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply equalization in three bands. Add spaciousness and depth with two types of chorus. Simulate the acoustics of a room or a concert hall with five types of reverb. All effects are designed for real-life musical applications. Have the Harmonized Pitch Shifter play along in key. Use long delay and echo settings of up to 5 seconds. A multitude of high-performance choices opens up totally new territory in this class. 40 presets give you the sound of the pros Utilize settings for duplicating the tone of well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as completely original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality guitar sound. And when creativity strikes, a separate area capable of storing another 40 user patches is also provided. Simple and friendly user interface Editing an effect is as simple as choosing the target with the selector knob and adjusting the parameter with the value knob. Let your imagination roam free and put your ideas into practice without being hampered by cumbersome controls. Drum machine with PCM sound sources Realistic drum sounds derived from  (less)

uses 96 kHz sampling, it provides a flat frequency response from 20 Hz up to an amazing 40 kHz. This allows for an accurate model of the delicate harmonic structure of the distortion produced by a tube amp. The dynamic range is also excellent, thanks to 24-bit A/D/A conversion. Every detail of your playing technique, whether picked or fingered, emerge with full clarity. ZFX-3 — the new-generation 32-bit DSP The heart of any multi-effect device is its processor and decoder section. The G1 features the Zoom's ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. This is a new generation DSP that brings out the character of your instrument without restrictions, helping you pursue the ultimate in guitar sound. 21 amp/stomp box modeling choices Covering a range of popular models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1 faithfully duplicates the distortion of tube amps and vintage effects. The choices range from models that made guitar history such as Fender, Marshall and Vox to popular modern amps including Mesa/Boogie, Peavey, and Diezel. An acoustic simulator is also included, so your electric instrument can sound like an acoustic guitar when the fancy strikes. 54 high-quality effects to fire your imagination A total of eight modules provide 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply equalization in three bands. Add spaciousness and depth with two types of chorus. Simulate the acoustics of a room or a concert hall with five types of reverb. All effects are designed for real-life musical applications. Have the Harmonized Pitch Shifter play along in key. Use long delay and echo settings of up to 5 seconds. A multitude of high-performance choices opens up totally new territory in this class. 40 presets give you the sound of the pros Utilize settings for duplicating the tone of well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as completely original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality guitar sound. And when creativity strikes, a separate area capable of storing another 40 user patches is also provided. Simple and friendly user interface Editing an effect is as simple as choosing the target with the selector knob and adjusting the parameter with the value knob. Let your imagination roam free and put your ideas into practice without being hampered by cumbersome controls. Drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different m  (less)