the brooding pop of '80s icons like Blondie and Siouxsie Sioux. With two European headlining tours, performances on BBC1 and Jimmy Kimmel, and a major Warped Tour under their belts, HorrorPops are set to build on the musical success of their 2004 debut, "Hell Yeah". And kick some ass.  (less)

BPHB Volume 2, avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid-1960s. From the enviable opener, in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray, to the beauteous instrumental glow of the extended modal country jam of "Jamboree," Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms, schisms, and jisms. This is music that howls from a unique voice whose love for the folk songbook (known and imagined) is as resonant as a cowbell and as deep as a freshwater well.  (less)

the brooding pop of '80s icons like Blondie and Siouxsie Sioux. With two European headlining tours, performances on BBC1 and Jimmy Kimmel, and a major Warped Tour under their belts, HorrorPops are set to build on the musical success of their 2004 debut, "Hell Yeah". And kick some ass.  (less)