drumhead selection, room and microphone configurations to fuse the qualities of a high end drum recording and the cutting edge of the radical beats of todays top RnB, Hip Hop and Pop producers. Add to that samples run through the best outboard effects and made accessible in the EZmixer to build your own mixer presets for on the fly sound design and youve got all the ingredients to produce, write and play music that takes you and your beats one step further, C for Claustrophobic, C for Contemporary, C for Cutting edge. Oh, and did Toontrack mention that the Claustrophobic EZX was recorded in a very small room? The Claustrophobic EZX was sampled through the very best of outboard with distortion, reverb, compression and attack effects included...  (less)

year in development, coming up with the perfect core/wrap ratios and tensions for use on different guitars with varying electronics. These strings maximize the acoustic-electric player's desired sound.A super high-tension winding technique maximizes string density and consistency while providing incredible sustain and resonance particularly suited for acoustic-electric players. Everly employees have no daily production quotas, only quality tolerances. These strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.  (less)

coincides with the celebrated world-wide reunion tour of The Police.The 22" Blue Bell Ride is based on the Signature 22" Dark Metal Ride, and was modified according to Stewart Copeland's exacting specifications. In the process, this development reintroduces Paiste's unique ColorSound coating, as the cymbal is coated partially blue on top and fully on the bottom.The 22" Blue Bell Ride features a dry, slightly dark, raw and melodic sound. Its dominant characteristics include a clear, glassy ping and a distinctive strong, deep bell, in accordance with Stewart Copeland's Ride playing technique within the context of the music of The Police. As a tribute to Stewart's collaborative effort in the creation of this unique  (less)

has greater elasticity than that of conventional strings, which means less inertia and a higher propensity to musical vibration.  (less)

extensive research and development with top percussionist Marc Quinones, provides a great grip on the drumstick and a unique stick sound. Every stick is hand-inspected after final shaping and paired according to weight. Every drummer needs a pair or 3!  (less)

important achievement by Denon’s R&D department, which, during the development process, worked closely with some of the top professionals in the industry, gaining key input on its design and functionality. The result is a market driven professional digital mixer that is best in its class. Years of consult  (less)

professional digital mixer that is best in its class. Years of consultation and design have gone into the development of a mixer of this caliber, and nothing in its specification and construction has been sacrificed. Meticulous attention to detail, layout and component quality make operation of the DN-X1700 extremely intuitive, and Denon’s engineers have provided every capability professional DJs will require: working with Vinyl turntables, CD Decks, Media Players, DJ software applications via laptops and USB storage devices.  (less)

black tolex, black grill cloth with white piping, and a black and white "Circle R" Raven Classic logo plate.The Raven RC412 is rated at 120 watts RMS. The four 12" speakers are specially designed with large mass magnets and high-efficiency motor structures. The speaker cabinet includes a heavy-duty steel grille, caster sockets and large side handles for easy transport. The Raven design philosophy is based on delivering massive rock tones—from intensely thick and clean, to powerfully dark and distorted. Raven does it all with maximum power, intuitive features and roadworthy construction. Formed in the new millennium, the L.A. based Raven speaker design and development team brings together top designers and engineers from several leading amp companies. These individuals have developed many award-winning designs including signature and professional touring stage rigs for top players in the industry. Now you can enjoy the design philosophies and engineering expertise that touring players have been enjoying for years.  (less)

Miraphone tuba is equal to playing the mid register on any other. The 1291 is a 4/4/ tuba that plays like a 6/4.The low register is so focused and easy to play in - you will not believe it.4/4 SizeBut 5/4 voice with a very nice sound.Great High RegisterBoth the low and high registers are smooth and there is an evenness of tone throughout the entire range of the instrument.Great IntonationThe Miraphone 1291 has been tested by many top players during the development stages and with their help the Miraphone engineers have really nailed down the intonation.  (less)

cajons are completely handmade from start to finish. They work perfectly for flamenco or world music and deliver a wide range of sounds, from loud, deep bass tones to cutting high overtones. Drummers and percussionists appreciate the cajon for its diversity of sound. They're also perfect for unplugged gigs or sessions.To equip a cajon with fully adjustable snare wires is an original Meinl innovation. The snares touch the frontplate from the inside and deliver the classical cajon sound, which is requisite in flamenco music. A knurled knob adjusts the amount of pressure used to press the snare wires against the frontplate. Rattling ranging from light and sensitive to very loud can be achieved through adjustment. The entire snare unit can even be turned off completely. The cajon is one of today's most popular percussion instruments because it very easy to play, and provides a great feel and rhythmic foundation to any musical situation. It is fun to experiment with and is popular in literally every musical genre as it is often used during unplugged gigs or softer songs to replace an entire drum kit.After just a little practice, basic beats and grooves can be achieved. It can be used by drummers as a substitute for their throne, playing on it with one hand, while the other hand keeps time on the ride or the hi-hat.Many drummers also use the cajon during unplugged gigs, certain songs, or spontaneous sessions as its ability to emulate many sounds serves as an excellent substitute for a complete drum set.Traditionally, cajons are played by sitting on the padded top of the box while slightly leaning backwards. The frontplate is struck with the bare hands. Various playing techniques help to create different sounds ranging from deep bass tones to cutting highs and slaps.A nice effect can be achieved by sliding the foot up and down the frontplate when playing the cajon, in effect changing the pitch of its tone.A unique and inspiring sound is achieved when playing the cajon's frontplate with a pair of brushes or rods.The history of the cajon The cajon, which is the Spanish word for box, has been part of Afro-Peruvian music since the 19th cfentury. The instrument originated in colonial Peru, when the slaves, whose African drums had been forbidden by their masters, used wooden boxes intended to hold fruits or overturned drawers to play their rhythms on. Later the cajon was officially added to the instrumentation of the vals criollo, or "creole waltz." It is now a national emblem for Peruvians, and an indispensable part of any ensemble that performs the traditional folk music of Peru.The cajon's later development can be clearly traced back to one man, the flamenco guita  (less)