My Dreams," Lila McCann "With You."  (less)

Sunday Sunday, Girls And Boys, To The End, Parklife, End Of A Century, Country House, The Universal, Stereotypes, Charmless Man, Bettlebum, Song 2, On Your Own, M.O.R., Tender, Coffee And Tea, No Distance Left To Run.  (less)

tired of the smoke, the strobe lights and the overmiked sound of his arena spectaculars. One night, something snaps. "I'm just going to take a little walk," Dusty says as he walks out of the empty hall, ditching his beard, ponytail - and temporarily, his career - to reclaim his down-home country roots. But his manager (Leslie Ann Warren) retaliates: a stand-in (Kyle Chandler) lip-synchs his songs in concert. And a romance with a lovely rancher (Isabel Glasser) is on again, off again like a rodeo cowboy. The simple life can be complex, but it's nothing a revitalized country boy can't handle!  (less)

the Music of Ray Charles , explains it. The late Ray Charles, though perhaps best known as the de facto creator of soul music, was genuinely beyond category, combining gospel, blues, jazz, and country to form one of the most original styles in 20th-century music. Joined by Norah Jones on several of the 15 tunes in this 90-minute show (recorded in 2009 at New York's Lincoln Center), Marsalis and Nelson use Charles's songs to tell the tale of love that's found, then lost, and then found again. Most of the material is familiar ("Hallelujah I Love Her So," "Hit the Road Jack," "Crying Time," "Busted," "What'd I Say," "Unchain My Heart"), but there are a few surprises, like the deep blues "Losing Hand." And while the songs are performed more or less in Charles...  (less)

the Music of Ray Charles , explains it. The late Ray Charles, though perhaps best known as the de facto creator of soul music, was genuinely beyond category, combining gospel, blues, jazz, and country to form one of the most original styles in 20th-century music. Joined by Norah Jones on several of the 15 tunes in this 90-minute show (recorded in 2009 at New York's Lincoln Center), Marsalis and Nelson use Charles's songs to tell the tale of love that's found, then lost, and then found again. Most of the material is familiar ("Hallelujah I Love Her So," "Hit the Road Jack," "Crying Time," "Busted," "What'd I Say," "Unchain My Heart"), but there are a few surprises, like the deep blues "Losing Hand." And while the songs are performed more or less in Charle...  (less)

portray the rich mix of sounds created by Latinos and embraced by all. BRIDGES: See the rise of Latin jazz with the great Machito and the explosion of the mambo with Pérez Prado. Watch as Latin music infiltrates R&B and rock throughout the 1960s, from the Drifters to Santana and beyond. THE SALSA REVOLUTION: Puerto Ricans and other Latinos in New York reinvent Cuban and Puerto Rican rhythms, adding elements from soul and jazz to create salsa. Follow the rise and fall of legendary Fania Records with famed artists Willie Colón, Héctor Lavoe, and Rubén Blades. THE CHICANO WAVE: From Ritchie Valens and Freddy Fender to Linda Ronstadt, Los Lobos, and Selena, a new generation of Mexican Americans raised on rock, rhythm and blues, and country musi...  (less)