the start the record is an oddity. A big band pumps, female background singers rip through a chorus of "Bye Bye Love," and Ray brings high energy to the Everly Bros. teeny-bop lyrics. Some songs suffer from syrupy choir and string arrangements, but Ray is always there to set things straight. He gives country some funk, and erases, for a day, all questions of black and white. --Steve Tignor  (less)

North Carolina fundamentalist preacher, hits those Piedmont consonants hard, and looks like a cross between a contemporary Christian singer and a devotee of Trace Adkins, whose speaker-rattling baritone is an obvious inspiration. With producer Don Gehman (John Mellencamp) mixing Carroll's sensitive originals with hearty commercial songs from proven Nashville hitmeisters (Craig Wiseman, Casey Beathard, Jeffrey Steele), it's hard to get a good fix on Carroll's persona, and he lives and dies by the material. One schizophrenic moment: "No Good in Goodbye," his duet with Nashville convert Jewel, who co-wrote the song with Carroll and Shaye Smith. The fading pop icon has no idea how to phrase a song like this, a...  (less)

remind listeners how a fusion of styles and influences from both black and white musicians defined American country music in its formative decades. Included here are gems, both familiar and obscure, by the likes of Jimmie Rodgers, the Delmore Brothers, Jimmie Davis, Cliff Carlisle, and other country musicians who were clearly inspired by their blues cousins. Backed by the Nashville All-Stars, a supersonic string band comprising bluegrass masters Sam Bush (mandolin), Jerry Douglas (Dobro), Béla Fleck (banjo), and Byron House (stand-up bass), all playing on vintage 1920s and '30s acoustic instruments, Kaukonen revives and vividly reinterprets these blues-drenched country classics for a new generation of listeners. --Bob Allen  (less)

Comin' Down' and 'Me And Bobby McGee'. In the '70s, he made the transition to successful performer with a series of critically acclaimed solo albums. Once he had crossed over to 'sex symbol', Kristofferson's acting career took off and for the last three decades, he has successfully balanced his music and thespian careers with political activism while still maintaining his down-to-earth personality. This collection contains the best of his solo recordings including his interpretations of the aforementioned songs plus 'Lover Her Was Easier', 'Why Me' and many more. 23 tracks. Camden.  (less)

are collaborations with British tunesmith James Morrison and singer/ songwriter Colbie Caillat. "I’m Yours," the album’s first single, was chosen due to the undeniable fan response to the song. A demo version of "I’m Yours" originally appeared on a limited release bonus EP Mraz put out with his last album. Today the song is an online sensation, with hundreds of usergenerated videos from more than 25 different countries now appearing on YouTube. Jason will be hitting the road this April on the "Music, Magic & Make Peace Tour".  (less)

the fully formed soul of a life well-lived. Ray LaMontagne belongs with the latter. On this, his debut, LaMontagne has crafted a handful of quietly devastating meditations on life and love--and delivered them with a raspy vocal all his own. The simple, mournful lyrics of "Burn," "Shelter" and the title track recall a Hank Williams ballad, and the reserved production by alt-country/americana genius Ethan Johns (the Jayhawks, Ryan Adams, Kings of Leon) make this a great disc for smoky Saturday nights, and rainy Sunday mornings. --Ben Heege  (less)

Jackson, however, treating the musical past as present has been a way of life, as it is with these 15 timeless hymns from his youth. Recorded with just two acoustic guitars and a piano, it was originally a private Christmas present to his mother. The spare instrumentation is surprisingly robust behind his flawless readings of "I'll Fly Away," "Softly and Tenderly," "How Great Thou Art," "Are You Washed in the Blood?," and "The Old Rugged Cross," all as beguilingly unpretentious as any of his country hits. Instead of an all-star duet, wife Denise and daughters Mattie and Ali join in on "'Tis So Sweet to Trust in Jesus." In the end, what began as a private bequest becomes a moving, eloquent gift to Jackson's entire audience. --Rich Kienzle  (less)

of 50 chart-toppers, spanning 22 years, showcases the Cadillac of country singers at his best, blending traditional and contemporary stylings, but never straying too far from the core of his Texas barroom sound. "Fool Hearted Memory," from 1982, proves that Strait had his uncluttered production and straightforward vocal approach down from the start, no matter how many producers guided him to his peak. Through the years, the path to superstardom dictated that he trade the crisp Western swing of "Right or Wrong" and "Ace in the Hole" for squishy, mid-tempo crowd pleasers like "Check Yes or No" and "Write This Down." But he redeemed himself with such poignant heartbreakers as "So Much Like My Dad" and "…Smile." This retrospective's one new track, "I Hate Everything," ...  (less)

the Sun Turns Black finds the introspective singer/songwriter complementing his folk-country ways with traces of strings and horns and spooky soulful background voices. Songs like "You Can Bring Me Flowers" and "Three More Days" are the most R&B-influenced, the latter shuffling about ala The Band or Tony Joe White. Despite its brooding lyrics, "Empty" has a rollicking, almost breezy delivery, a perfect balance to either the hushed title track, the unnerving "Be Here Now" or the horn-fortified waltz, "Gone Away From Me." Throughout the 11-song sequence, and especially on the final song "Within You," LaMontagne’s voice remains the record’s most crucial element, as vibrant as it is tattered and as harsh as it is flawless. --Scott Holter  (less)

Time Magazine, Peyroux was immediately recognized as a remarkably talented singer with a promising future. With the release of her long awaited follow-up album Careless Love, Peyroux's potential as an artist is truly realized. Her smoky voice and knowing delivery make each song her own, whether she's singing vintage tunes by W.C. Handy and Hank Williams, or contemporary songs by Leonard Cohen and Elliott Smith. Producer Larry Klein (Joni Mitchell, Shawn Colvin) weaves strands of acoustic blues, country ballads, classic jazz, torch songs and pop into a vibrant fabric that is both timeless and thoroughly up to date, with Peyroux's arresting vocals always front and center.  (less)

time on this 17-cut compilation disc, which, despite its title, actually includes four new songs, one rerecording, and a remix. Amid soppy country-pop chart fodder ("Me and You," "When I Close My Eyes") and second-rate ditties ("How Forever Feels," "She Thinks My Tractor's Sexy"), Chesney hits his stride on robust country ballads like "You Had Me from Hello" and the lead single "I Lost It." On other gems--like "That's Why I'm Here," a heartfelt tribute to the Alcoholics Anonymous 12-step program that topped the charts a while back; "Baptism," a great duet with Randy Travis; and his fine rerecording of "Tin Man," the song that launched his career in the mid '90s--Chesney even manages to attain an ephemeral but utterly moving tran...  (less)

songs of the '60s. "Blowin' in the Wind," "Masters of War," "A Hard Rain's A-Gonna Fall," "Don't Think Twice, It's All Right," "I Shall Be Free": if this sounds like the lineup for a greatest-hits collection, you've got the idea. Nat Hentoff's liner notes are charmingly dated, but Dylan's idiosyncratic singing, unexpected lyrics, and inimitable guitar and harmonica playing are as immediate and relevant as whatever you heard on the radio today. (As great as this is, there's much more: a handful of top-rank outtakes from Freewheelin' appear on the Bootleg Series box set.) --Jimmy Guterman  (less)