boom, 20' Lo-Z XLR Microphone cable, and two 10' instrument cables.ProFire 610 FireWire Recording Interface The M-Audio ProFire™ 610 FireWire audio interface transforms your Mac or PC into a powerful 6 in/10 out recording studio. Premium digital converters deliver high-definition, 24-bit/192kHz audio throughout the signal path. Two preamps with award-winning Octane™ technology offer clean, transparent sound with low noise and exceptional headroom. The M-Audio ProFire 610's onboard DSP mixing provides a totally flexible recording experience, perfect for creating multiple, independent monitor mixes. The user-assignable master volume knob gives you flexible control over output levels. MIDI I/O allows you to connect keyboards and other outboard MIDI hardware. The half rackspace recording interface also doubles as a standalone two channel microphone preamp and A/D-D/A converter. ProFire 610 is compatible with most major audio software, making it an excellent choice for personal, high-definition recording.Pro Tools M-Powered 7.4 Software Starting 10/03/08, you'll get a free upgrade to Pro Tools M-Powered 8 when you register your purchase of Pro Tools M-Powered 7.4 on Digidesign's website. Digidesign Pro Tools M-Powered 7.4 software features great music creation tools and support for more systems and creative options making it an extremely flexible music-making solution. Pro Tools 7.4 software features the time-manipulating power of Elastic Time, enhanced Pro Tools HD integration with Avid systems, Windows Vista support for Pro Tools LE and Pro Tools M-Powered, and much more. Approach your projects in creative ways, making working with tempo- and time-based sessions a whole lot easier, more efficient, and imaginative. Though there are many improvements and enhancements in 7.4, perhaps the biggest is Elastic Time. Stretch Your Sound with Elastic Time Pro Tools M-Powered 7.4 software features Elastic Time, a powerful real-time tempo manipulation feature that makes it easy to change tempo or time on the fly. For musicians, composers, and music producers, Elastic Time makes loop-based music creation faster and more imaginative, giving you the freedom to explore different tempos and experiment with loops and audio files that sync with your current session throughout the entire writing process. For post-production editors and engineers, Elastic Time makes it simple to stretch or squeeze audio tracks to fit video time frames, using high-quality algorithms that make your time manipulation virtually undetectable.This version of Pro Tools makes it so you can change the tempo and timing of loops, music, dialog, and other sound files without cu  (less)

22-fret rosewood ebony fingerboard. The guitar also offers locking tuners, a Tune-o-matic-style bridge, Graph Tech trem nut, abalone inlays and binding, and gold hardware. The Elite is also loaded with a Seymour Duncan JB in the bridge position and a Fernandes Sustainer in the neck to give your sound endless possibilities. Fernandes Sustainer The patented Fernandes Sustainer system generates a magnetic field causing the strings to vibrate endlessly, giving you creative ways to control sustain and feedback. Used by Steve Vai, The Edge, Slash, Kerry King, Neil Schon, Robert Fripp, and Paul Gilbert, the Sustainer allows you to produce silky smooth Hendrix-like textures and tonal colorings at any volume level without ext  (less)

ways to get music from your brain to your speakers. It comes with many extra features the Fruity and Producer Editions don't, including Maximus, a peak limiter and volume maximizer; Hardcore, which has 10 guitar pedal effects, plus 8-band EQ, and 5 cab simulator in one plug-in; VideoPlayer for playing video or flash files; Sytrus, a hybrid synthesizer; Soundfont player which gives you the power to load, play, and render soundfonts; and DirectWave Sampler, one of the most complete VSTi samplers; as well as a $49 virtual card for putting towards any other FL Studio plug-ins of your choice.What is FL9? This full-featured, open architecture, music production software is capable of audio recording, composing, sequencing, and mixing, for the creation of professional quality music. The FL Studio philosophy is creative freedom, allowing you to route any instrument to any mixer track. Each mixer track can receive audio from any number of instruments, any number of other mixer tracks and a soundcard input. Mixer tracks, in turn, can send audio to any number of other mixer tracks and a soundcard output. You can create sub-mixes, effects chains, or complex mixes. With FL Studio's flexible architecture audio is set free.FL Studio 9 music software also allows you to free your creative mind. You can choose your preferred workflow, compose using the step-sequencer or piano roll. Create in pattern or track mode, then arrange your ideas in the free palette Playlist. The Playlist presents timeline as a virtual canvas where each Playlist track can simultaneously hold any number of score, audio, and automation events. Instruments Make virtually any sound — FL9 includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback, and beatslicing (with Rex 1 & 2 support).Synthesis techniques — span subtractive, modeling, FM, RM, granular, and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code. Open plug-in standards — FL Studio 9 supports all PC industry plug-in instrument standards including VSTi (1/2), DXi(1/2), Buzz, and Rewire. This means you can sequence with your favorite plug-ins and applications. Audio Recording & Editing Multi-channel audio inputs — With the ability to simultaneously capture all the inputs on your audio interface, Image Line FL Studio has the flexibility to record a single vocalist, guitar, or a full symphony orchestra.Arranging audio — Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recor  (less)

22-fret rosewood ebony fingerboard. The guitar also offers locking tuners, a Tune-o-matic-style bridge, Graph Tech trem nut, abalone inlays and binding, and gold hardware. The Elite is also loaded with a Seymour Duncan JB in the bridge position and a Fernandes Sustainer in the neck to give your sound endless possibilities. Fernandes Sustainer The patented Fernandes Sustainer system generates a magnetic field causing the strings to vibrate endlessly, giving you creative ways to control sustain and feedback. Used by Steve Vai, The Edge, Slash, Kerry King, Neil Schon, Robert Fripp, and Paul Gilbert, the Sustainer allows you to produce silky smooth Hendrix-like textures and tonal colorings at any volume level without ext  (less)

22-fret rosewood ebony fingerboard. The guitar also offers locking tuners, a Tune-o-matic-style bridge, Graph Tech trem nut, abalone inlays and binding, and gold hardware. The Elite is also loaded with a Seymour Duncan JB in the bridge position and a Fernandes Sustainer in the neck to give your sound endless possibilities. Fernandes Sustainer The patented Fernandes Sustainer system generates a magnetic field causing the strings to vibrate endlessly, giving you creative ways to control sustain and feedback. Used by Steve Vai, The Edge, Slash, Kerry King, Neil Schon, Robert Fripp, and Paul Gilbert, the Sustainer allows you to produce silky smooth Hendrix-like textures and tonal colorings at any volume level without ext  (less)

models, bolt-on maple neck with a 24-fret rosewood fingerboard. The Dragonfly Pro features the Fernandes Sustainer—offering you the power of infinite sustain at an affordable price. Fernandes Sustainer The patented Fernandes Sustainer system generates a magnetic field causing the strings to vibrate endlessly, giving you creative ways to control sustain and feedback. Used by Steve Vai, The Edge, Slash, Kerry King, Neil Schon, Robert Fripp, and Paul Gilbert, the Sustainer allows you to produce silky smooth Hendrix-like textures and tonal colorings at any volume level without extra outboard gear. The Sustainer lets you add swells or a gradual decay to single notes or chords while performing outrageous hammer-on slides, whammy-bar dive bomb...  (less)

models, bolt-on maple neck with a 24-fret rosewood fingerboard. The Dragonfly Pro features the Fernandes Sustainer—offering you the power of infinite sustain at an affordable price. Fernandes Sustainer The patented Fernandes Sustainer system generates a magnetic field causing the strings to vibrate endlessly, giving you creative ways to control sustain and feedback. Used by Steve Vai, The Edge, Slash, Kerry King, Neil Schon, Robert Fripp, and Paul Gilbert, the Sustainer allows you to produce silky smooth Hendrix-like textures and tonal colorings at any volume level without extra outboard gear. The Sustainer lets you add swells or a gradual decay to single notes or chords while performing outrageous hammer-on slides, whammy-bar  (less)

models, bolt-on maple neck with a 24-fret rosewood fingerboard. The Dragonfly Pro features the Fernandes Sustainer—offering you the power of infinite sustain at an affordable price. Fernandes Sustainer The patented Fernandes Sustainer system generates a magnetic field causing the strings to vibrate endlessly, giving you creative ways to control sustain and feedback. Used by Steve Vai, The Edge, Slash, Kerry King, Neil Schon, Robert Fripp, and Paul Gilbert, the Sustainer allows you to produce silky smooth Hendrix-like textures and tonal colorings at any volume level without extra outboard gear. The Sustainer lets you add swells or a gradual decay to single notes or chords while performing outrageous hammer-on slides, whammy-bar dive bomb...  (less)

including: -Garritan Personal Orchestra Fianle Edition -Integrated KONTAKT Player 2 from Native Instruments -Studio View - all-in-one environment for multi-track music creation -Power Mixer - real-time control of volume, panning, patch and more. -TempoTap - conduct your own tempo changes -Music Scanning - with SmartScore Lite 3.0 by Musitek -and more..."  (less)

and intuitive footswitching technology, the Haze MHZ15 takes your studio sound out on the road. No more compromising on tone over effects (or vise versa) and an end to jumping from FX pedal to FX pedal when your solo kicks in! Marshall Haze MHZ15 Features 15W of all-tube power Compact design for great tone that doesn't take up a lot of space Vintage-style looks and construction ECC83 preamp stage, 6V6 power amp Normal and Overdrive channels with shared EQ Emulated spring reverb Onboard effects: Echo, Chorus, and Vibe Includes 2 way footswitch Classic Tone, Contemporary Control The Haze15 contains three ECC83 preamp and two punchy 6V6 power amp valves, providing this two channel mini head with a pure-valve pedigree. A traditional Marshall EQ section of Bass, Middle and Treble allows total tonal control while the Normal and Overdrive channels create both pristine cleans and divine distortions with everything in-between. Turning up the Normal channel volume takes the clear, honest guitar tone and adds natural valve drive, compression and bite, which can be dynamically adjusted through your guitar’s volume control. Engaging the channel-spanning Bright function creates additional sonic sparkle and adds an extra cutting edge to your guitar’s tone. Switching to the Overdrive channel sees the amp really start to roar with simple Volume and Gain controls allowing direct, no nonsense access to your sound. At lower volumes the Haze15 creates smooth and rich overdriven tones, perfect for Bluesey riffing and heart-pounding rhythm playing. Crank this channel up and be rewarded with classic, full-fat, Marshall power amp distortion, and all without taking the roof off! Again, this channel responds extremely well with your guitar’s volume control for interactive tone control on the fly. Creating the Right FX The beautiful analogue tone produced by each Haze amplifier is matched only by the scope and creative possibilities of the studio quality effects housed within both units. The custom-voiced and widely adjustable Echo, Vibe, and Chorus effects have been specifically designed to help enhance your performance, whether applied subtly or heavily. Each effect is governed by the Effect Depth and Adjust controls which dial-in the amount of effect in use and control the Echo tempo and Vibe/Chorus modulation rates respectively. Completing the Effects section is a spring-emulated Reverb, which adds both space and fluidity to your overall sound. The key feature however, is that all effect settings are automatically  (less)

capture the emotion of that crucial moment, and turn it into a fantastic shot. The only cameras designed to do just that, by combining the technology for serious photographic expression with highly-portable compactness, belong to Sigma's DP series. Meshing neatly with your personal lifestyle and your inner life, the DP2 is designed to take you deeper into a whole new world of photographic expression.Features:Full Scale SensorAt 20.7 x 13.8mm, the DP2's 14-megapixel image sensor is SLR-sized. This is about 12 times larger than the 1- to 2.5-inch sensor, and 7 times larger than a 1- to 1.8-inch sensor used in a conventional digital compact. This generous size takes the DP2's image quality to a different dimension.Direct Image SensorImages produced by Sigma's SD series cameras, and by the DP1, have what's been called an “emotional quality”. The emotion comes with a level of image quality that only the Foveon X3 direct image sensor can deliver. Image quality of a clarity and exquisiteness easily outclassing that of conventional digital cameras. This level of image quality reproduces the scene you shot, right down to the feeling in the air. It's only possible in a vertical color-capture system that does not require color interpolation, and an image-processing system that does not require an optical low-pass filter.Integral LensSigma believes that a photo is only as good as the lens it was taken with. So we decided that the kind of quality we wanted for the DP2 would not be attainable using the traditional techniques used to design standard lenses. We rethought the design from the development stage, and set out in pursuit of the highest possible lens performance. We took the bold step of using a retrofocus lens of the type mainly used as wide-angle lenses for SLRs.Besides having the excellent telecentricity vital in lenses for digital cameras, this retrofocus lens has many other advantages: for example, this format makes it easy to suppress field curvature and astigmatism, and to ensure that the light volume stays the same right to the periphery. However the lens does need to be longer. Therefore, in order to minimize the total length of the lens while still attaining ideal image quality, we used two groups of lens elements: the group at the front have a high refractive index, and the group at the rear are aspherical glass-mold lenses. This way, we successfully developed a standard lens with a relatively modest overall length, but very high optical performance.Image CapabilityThe JPEG files from the DP2 are output in YCbCr 4:2:2 in compliance with the Exchangeable image file format (Exif) specification, which is the standard specification for file formats. But in the direct image sensor, each pixel location cap  (less)

the music. A handsome brown burled pattern case houses this creative clock which also has a light sensor, volume control, on/off switch, and demonstration button. On the hour, this clock will play one of the following six Hi-Fi melodies plus  (less)