1967. Informative sleeve notes and band interviews by Mike Stax, plus 11 bonus tracks - including single versions and rarities - complete this 'must-have' 60's limited digipak reissue. Repertoire. 2004.  (less)

during production after a bizarre onset accident. That event only deepened the film's aura of death and gothic unease, moods that are brilliantly underscored by this well-chosen collection of stark alt rock, dark metal, and industrial dirges. The opener, the Cure's typically angst-ridden "Burn," is about as sentimental as this album gets, bookended by Jane Siberry's wistful "It Can't Rain All the Time." Sandwiched in between is a virtual primer on powerful mid-1990s alt and industrial rock, from Nine Inch Nails hammering Joy Division's "Dead Souls" into its own image to the blistering snarl of Helmet, Pantera, and the Rollins Band. So-called pop-song scores often have a cheap afterthought feel to them; this one, a refreshingly integral part of the film itself, stands as a...  (less)

of the Dead comic book series) Limited edition first pressing with bonus 30 minute DVD As featured on the Earache compilation 'Thrashing Like A Maniac'  (less)

of early Pink Floyd and, of course, chiaroscuro Goth shadings. These paintings in sound provide an elaborate backdrop for J's surrealistic spoken word musings." - ROLLING STONE "Warm & meandering, each track stamping its own identity on the mind, the music's structure is pared down to basics ... David J has secured an individual, if confusing talent." - MELODY MAKER "Not actually a David J solo album but a fascinating collaborative effort ... the prose for the entire piece comes from past collaborator and longtime Bauhaus/David J supporter and friend Alan Moore. Known predominantly for his inventive, striking comic book work in such classics of the form as V for Vendetta and Watchmen, here he creates an extended, mysterious narrative, half rum...  (less)

a loyal following of fans since the early 80s. Many will remember Brian's work in magazines ranging from Maximum Rocknroll and Flipside all the way over to Hustler's Barely Legal while others know of Brian's classic album art for bands like 7-Seconds, Melvins, Scared Straight, and others. Brian also played drums for Polvo, Ryan Adams, Scared Straight, and currently plays for Double Negative. Manchild 3 comes packaged with the Melvins "Making Love" Demos CD. This is an ultra rare 8 song recording made my the band in 1987! Until now these tracks have never been released. The inclusion of this CD is fitting as MANCHILD 3 includes a 16 page illustrated Melvins tour diary from their 2006 tour.  (less)

for breath with every twangy note. In Monstrous Attitude, their third album with ROIR, is mixed by Shimmy Disc's revered Kramer and comes in a colossal 12 panel Digipak with comic book art by anti-folk hero, Jeffrey Lewis. It lives up to its name; it's a monstrous work that cannot be ignored.  (less)

of bi longing (f***in boys), rants about coffee, anxiety, the presidents, & giant corporations taking over the world (can't sleep), & more uncommon songs about common (if not always talked about) things. Produced by San Francisco's Laura Chandler; recorded by Lisa Richmond at Dance Home Sound, Emeryville; mastered by Lisa R. and Matt Baxter at Dance Home Sound; graphics by Christopher Beckrest, Stockton; photos by Stephanie's sister - fine art photographer Andrea Haffner, and by Stephanie's mom Marlene Haffner; performances by Stephanie (guitar, vocal, finger cymbal), Laura Chandler (guitar, vocal, cowbell), Lisa Richmond (drum), Jack Hines (fretless, fretted & upright bass).  (less)

during production after a bizarre onset accident. That event only deepened the film's aura of death and gothic unease, moods that are brilliantly underscored by this well-chosen collection of stark alt rock, dark metal, and industrial dirges. The opener, the Cure's typically angst-ridden "Burn," is about as sentimental as this album gets, bookended by Jane Siberry's wistful "It Can't Rain All the Time." Sandwiched in between is a virtual primer on powerful mid-1990s alt and industrial rock, from Nine Inch Nails hammering Joy Division's "Dead Souls" into its own image to the blistering snarl of Helmet, Pantera, and the Rollins Band. So-called pop-song scores often have a cheap afterthought feel to them; this one, a refreshingly integral part of the film itself, stands as a...  (less)