Wolf" opens this 1982 major-label debut, its tough-ass romanticism is quickly plowed under by memories of a motel bed "with rubber sheets" and two heartrending songs about Exene Cervenka's sister Mirielle, who'd been killed in a car crash. In fact, even without "Blue Spark," this would easily qualify as the group's most indigo record yet; the second half offers a lovingly surf-music-tinged remake of an old Tin Pan Alley tune, "Dancing with Tears in My Eyes" and "The Have Nots," whose alcohol-soaked social comment clings so fiercely to mournfulness that hardly a wisp of punk anger can take hold. Rootsier than X's previous albums, Sun updates noirish dread with guitar wisdom. This remaster includes five bonus tracks, including the original mix o...  (less)

whole album, exudes a unique sort of continuity. Big Black Hole has some of the most up beat moments of any Sean Hayes albums. In addition to the usual voice and guitar, there is electric bass, drums, piano, wurlitzer, & some trumpet, baritone horn and tuba throughout the album. Beautiful singing, innovative playing, amazing unique songs with such variety, this album, from beginning to end is a really fun ride.  (less)

along with a drum machine. Originally released in 1986, The Hammer Party collects the band's first three EPs, made between 1982 and 1984. Lungs featured Albini's machine-gun guitar and vocals, accompanied only by Roland the drum machine. The following year's Bulldozer added a bassist and second guitarist for an even more punishing sound, while Racer-X further refined the Big Black's sonic assault. Together on one disc, The Hammer Party , they serve as a disturbing, ear-shattering prequel to the rest of this group's fine oeuvre. --Roni Sarig  (less)