into the historic confines of Tremont Street’s Boston Music Hall on a Tuesday night in December, the New Riders had their engines primed and delivered a powerful set of originals that included "Sutter’s Mill," "Groupie" and "Whiskey" from Gypsy Cowboy, and fan favorites "Truck Drivin’ Man," "Hello Mary Lou" and the stompin’ show closer "Willie And The Hand Jive." With Buddy Cage now firmly entrenched behind the pedal steel guitar and taking the band to a new sonic plane, you can feel the energy and excitement of the night come solidly through on NRPS staples "Whatcha Gonna Do," "Portland Woman," "Last Lonely Eagle," " Louisiana Lady," "Glendale Train" and "I Don’t Know You." A rollicking version of Chuck Berry’s "Sch...  (less)

beenreleased on one CD. Over 78 minutes of music. 1998 Raven Records release.  (less)

into the historic confines of Tremont Street’s Boston Music Hall on a Tuesday night in December, the New Riders had their engines primed and delivered a powerful set of originals that included "Sutter’s Mill," "Groupie" and "Whiskey" from Gypsy Cowboy, and fan favorites "Truck Drivin’ Man," "Hello Mary Lou" and the stompin’ show closer "Willie And The Hand Jive." With Buddy Cage now firmly entrenched behind the pedal steel guitar and taking the band to a new sonic plane, you can feel the energy and excitement of the night come solidly through on NRPS staples "Whatcha Gonna Do," "Portland Woman," "Last Lonely Eagle," " Louisiana Lady," "Glendale Train" and "I Don’t Know You." A rollicking version of Chuck Berry’s "Sch...  (less)

to the quadrilles and cotillions once heard at the fancy dress balls of Lexington. This two volume set of field recordings, made between 1972 and 1995, samples the way the fiddle used to sing out at the dances of northeastern Kentucky. The present volume is devoted to the music of the little communities that dot the Kentucky River as it winds its way down from the ragged canyons of Wolfe County to the gently rolling hills of the inner Bluegrass state. This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.  (less)

of New Music Series that has served since 1972 to bring new music to the college campus. He has established close ties with musical audiences throughout the country but with a particular focus around Philadelphia and throughout Pennsylvania. He has composed works for solo instruments, chamber ensembles, orchestra and the electronic medium. In describing his music Nelson says, “I utilize mathematical strategies or formal systems and I use computer technology in the creation of my music while, at the same time, my music is very much grounded in traditional concepts of lyricism and harmonic motion.” A reviewer described Nelson's music as “having an open and easy approach to tonality- neither insisting on it nor rejecting it. Musical intuition is supplemented...  (less)

scene, Gary Petersen and Phil Greenberg. Fat Harry was soon signed up by the original Pink Floyd management company. A quartet of 'musician's musicians', admired by everyone from Ralph McTell to Edgar Broughton and Michael Chapman, the group made only one LP for Harvest Records before disbanding in 1972. Now, this previously unreleased collection of studio demos and live recordings (taken from the band's own archive) finally sets the record straight, delivering a heady mix of Country, Folk, Blues and Psychedelia, as well as including, for the first time ever, a version of their much-loved live favorite, 'Mariachi Riff'. Hux.  (less)

Your Babies Grow Up To Be Cowboys (S)/Good Hearted Woman (S, 1972 original)/Dreaming My Dreams With You (S)/Are You Sure Hank Done It This Way (S)/Luckenbach, Texas (Back to the Basics of Love) (S)/Are You Ready For The Country (S)/I've Always Been Crazy (S)/The Wurlitzer Prize (I Don't Want to Get Over You) (S)/There Ain't No Good Chain Gang (S)/Theme from The Dukes of Hazzard (Good Ol' Boys) (S)/Lucille (You Won't Do Your Daddy's Will) (S)/I Ain't Living Long Like This (S)/Drinkin' And Dreamin' (S)/Amanda (S)/Just To Satisfy You (S)/Rose In Paradise (S)/My Baby Walks All Over Me (M)  (less)

Almeida 03. Walking Back Alone 04. Together Come What May 05. Town Ballad 06. Speaking Sounds of Love 07. Don't You Know 08. Hard Luck Dreams 09. Save The Country 10. Go Back North 11. Early Morning Blues 12. Down In The Valley  (less)

Records and Studio boss Rick Powell to record a Switched On Bach for "country folk". Trythall dutifully ran country and bluegrass standards, and the hits of the day, through the valves and circuits of a battery of Moog synthesizers and related hardware. The resulting 1972 album, Country Moog (Switched On Nashville) is certainly unlike anything ever heard before (or since, for that matter). Equal parts virtuosic musicianship, bizarre musiqueconcrete effects and just plain enter taining, the original album was popular enough to spawn a sequel, 1973's Nashville Gold (Switched On Moog). Cited by Bob Moog as one of his favourite "Moog" recordings, both albums are included here for their first appearance on CD with a number of rare o...  (less)

on ancestral structures to create something radically new, travelling around the world as vivid creators, working through the hazards of history. Alireza Mashayekhi (b. 1940) is a pioneer Iranian avant-garde composer whose ideas and works have been performed in his home country and abroad for more than 35 years. Ata Ebtekar aka Sote (b.1972) is an electronic composer, sound artist and recording engineer who is interested in recasting the tuning of Persian classical scales (radif) and melodies from old Persian folk songs within a new electronic framework. Since he has a firm conviction that rules and formulas have to be deconstructed and rethought, he alters some of these modal systems from their original tonality and rhythm. He has released sever...  (less)

country music teamed up for these classic instrumental albums (originally released on rca victor), the results were refined, joyous and highly entertaining. A true country legend, atkins had made an indelible impression as a session guitarist and record producer for over 20 years and by the early 1970s was intent on expanding his range. Reed was coming off the success of hits like 'georgia sunshine', 'amos moses' and 'when you're hot' and these good-natured sessions allowed the duo to let loose in the studio. On me and jerry atkins' playing is precise and tasteful while reed is typically brash and rollicking, with covers of pop hits 'bridge over troubled water' and 'macarthur park', plus merle travis' 'cannonball rag' and reed compositions 'nut sunda...  (less)